
Tuesday, July 27, 2010
Symposium Participant Faye Castle

Symposium Participant: Pascale Steig
Sketching is second nature to me. Although I enjoy immersing myself in a crowd, I usually stand on the perimeter of the action, - a vicarious participant -, observing people, taking in what I see, and chronicling it in my sketchbook.
When I draw, I prefer the precision of ink pens. I never use pencils because they inevitably end up smudging the paper, greatly disturbing the perfectionist in me. My carry-everywhere supplies are simple: my small Bomo Art sketchbook from Budapest and a V-Ball pen (I know, I know, not waterproof...)
I look forward to attend the symposium and to meet other sketch artists. Although I was born and raised in Belgium (and speak French fluently), I've lived in Portland for many years; so, don't hesitate to ask me questions about the area.
You can view more of my artwork on my sketching, illustration and comics blogs, and if you want a laugh, visit my blog about trying to renovate an old farmhouse near Portland...
Monday, July 26, 2010
Symposium Participant: Jay Arrera
My name is Jay Arrera and I am coming to the Symposium from Eugene, Oregon. I graduated with a BFA in Sculpture in 1997 and and MBA in 2003. As I think every participant here can attest, life, work and family take a lot of my time. And sculpture--particularly bronze sculpture is a very slow and time consuming process. So, I have been using sketching to capture ideas and just to observe. My motto is, "You haven't really seen something until you've drawn it." Whether it is people or buildings I find that we so easily filter our visual senses that we take for granted everything that surrounds us. I rarely have trouble finding something to draw. My first decision is usually what not to draw.Sunday, July 25, 2010
Symposium lectures: From sketchbook to screen, by Jason Das
Symposium Participant: Chris Kerins

Hi Everyone!
My name is Chris and I'm from Southern Cal. Like many of you, I have a lot of balls in the air. I teach architectural illustration at Orange Coast College where I drag my students off the computer and outside to sketch in their sketchbooks. They whine at first but thank me at the end of the semester. I also design websites and do arch illustrations using photoshop when there is a paying client, which isn't often these days. I've spiraled through design fields: graphic, architecture, set design, illustration, website and so on.
My big secret is that I rarely get to sketch. It used to be a travel thing for me, but traveling has been scarce and my small family takes up all my discretionary time. In my dreams I'm traveling and sketching, which is why the symposium sounds so great.
In high school, my art teacher handed out Berol 314s with with a slice of wood carved off the end to write our names on and I've never really looked back. Good soft fat leaded pencils that can do a full range of lines are what I recommend to my students. I used to always use the black hardbound sketchbooks because I liked the look on a shelf, but now I'm coming around to spiral bound because they are easier to fold back and out of the way.
I can't say I'm accomplished as a sketcher. My goal is to capture the essence with an economy of line but that remains as elusive as ever. Usually I end up over working it.
I'm really looking forward to meeting you all and finding some tasty food carts. Please bring your suggestions for good eats.
See you in a few days!

Saturday, July 24, 2010
Symposium lectures: The history of location drawing as a social activity, by Matthew Brehm
On this lecture, Matthew Brehm traces the social aspects of location drawing over the past few hundred years. Topics include the "Grand Tour" of the 17th through the 19th centuries, architectural "sketch clubs" in the United States in the 19th century and the advent of study-abroad tours for university students in architecture and the arts.

















